Test Pilot

Test Pilot

It was a thrill to see you come out of the sky. It’ll be a greater one to see you disappear in it.

After my rewatch of Captains Courageous turned out as well as it did, I got a little excited when I found out that Test Pilot was also directed by Victor Fleming, just one short year before he’d go on to have one of the best directorial years in Hollywood history. It also stars Clark Gable, Myrna Loy, and Spencer Tracy, so goddang by golly does this one have some heavy hitters in all aspects of it. In my usual bit of research, I got the impression that this one would have some of the best aerial sequences put to film since Wings, which I was looking forward to even without Test Pilot being set in a war (which, to mention, was something to be thankful for). While the flying sequences were certainly well done, if a little transparent with how they managed to film most of them, where the film really succeeds is by taking its own high-flying premise and seeing what happens when you look at it with your feet planted squarely on the ground.

Clark Gable is Jim Lane, a renowned test pilot for plane prototypes, where his job is to push the planes he flies as far as they can reasonably be handled, and then further than that. In one instance, he is poised to set a new coast-to-coast flying record, but his plane begins to dump oil and he’s forced to land it somewhere in Kansas. Here lives Myrna Loy, who houses Gable until his crew, chiefly his main mechanic and devoted best friend Spencer Tracy, can make it there to fix the plane, and as things are wont to happen, the two fall in love over the course of a single day. However, Loy’s young farmgirl soon comes to realize: the only thing that may be more stressful and harrowing than being a test pilot, pushing yourself and the high-flying machines you operate to and past their limits, is being married to a test pilot. After the film got going, a lot of things surprised me about it. For one, for a film called Test Pilot, I was surprised at how much of the film didn’t deal with planes and flying, opting to give us the aerial sequences in sustained bursts spaced quite a bit apart instead of all together or throughout the two-hour running time. I was also surprised at how much of the script consisted of the main trio cracking wise at each other (which they did as well as any other), which made me feel that films like His Girl Friday and The Big Sleep, both done by Test Pilot screenwriter Howard Hawks, were absolutely only a few years away. What surprised me the most, however, was somewhere in the middle, during one scene with Loy and Tracy talking to each other about Gable, when the film dropped the cracks and got pretty damned serious, and alarmingly affecting as a result. This film isn’t about the dangers of being a test pilot, or the thrill of adventure that calls to pilots like Gable’s Jim Lane; it is about how the dangers of being a pilot and the call to adventure that Lane answers to an almost reckless degree affect the people who truly care about him – best friend Tracy and partner Loy. All three stars have rarely been better in a script that really knows how each character affects the others, in both good ways and very negative ways, and by the end, I was impressed as hell with the overall film.

You might think you know where the film is headed only twenty or thirty minutes into it. You would be right; the film does end up pretty much how you’d expect a film like this to end up. What you absolutely will not expect is how the film manages to get to the end, and for a film made near the end of the 1930s, I was amazed at how mature and forward-thinking the screenwriting was, and equally amazed that it all came across the screen so well, thanks to the main stars. This picture will wallop you, mostly because a picture like this, for when it was made and released, really comes out of nowhere with how effective, and affecting, it actually is. Kudos to Victor Fleming, writer Howard Hawks, and the stars of the film; I was expecting this to be particularly thrilling and with maybe half as much backbone in-between the flying sequences, but man was I not expecting what I actually got with this.

Arbitrary Rating: 8/10

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