Four Daughters

Four Daughters

What have I done to deserve such daughters?

Four Daughters would seem to be a part of one heck of a year for director Michael Curtiz; he wrapped up two of the five nominations for Best Director for this and Angels with Dirty Faces (and, amazingly, not for The Adventures of Robin Hood), in a feat that would cause the Academy to alter the rules for Best Director nominations for years to come (indeed, the only director to manage the same feat since the Academy’s rules were lessened in the category is Steven Soderbergh in 2000). It would seem indeed that Curtiz has the skills and the knack for presenting them to warrant his double nomination… until one actually sits down to watch Four Daughters – then it appears to be just that: seeming. This, as it has in the past, comes with one of my more common caveats: it’s not that Four Daughters is a bad film, because it technically isn’t. But, that’s the thing; the film knows that it is technically a good film, and instead of rolling with it and letting it flow a natural course, decides to take charge and show off exactly how good a film it’s been trying to be.

The titular four daughters are the Lemp sisters; Emma, Thea, Kay, and Ann, each a part of a musical family led by their father, and each with their own talent to bring to the group. Each, it would seem, also has a potential suitor in the mix, and it’s the inter-mingling of potential suitors and the potential wives that are the four daughters that forms what amounts to the plot of this film. If that doesn’t sound very interesting, I wouldn’t blame you, but for what it’s worth, Four Daughters does do an admirable job of trying to make it interesting, even for those who would otherwise not be interested. Four Daughters the film ends up being what would happen when you take a decent director, Curtiz, give him a script that could be best described as “yet another ‘blank'”, not bother to fill in that blank, and then Curtiz goes and gives you 110% into the resulting film… resulting in this film. Granted, the third act goes to some surprisingly affecting areas, mostly due to how unexpected it was compared to the first two-thirds of the film, but even with this, everything involved with the production of the film comes off as being better than what the film itself really deserved, from Curtiz to the titular four-some, and even some of the supporting players, from John Garfield to May Robson. The interplay involved in the dialogue was also another highlight, having the characters bounce off each other to a ridiculous degree, as if the script couldn’t help itself and decided to go all out with it for lack of a better way to show off its own talents.

Here’s the thing that bothered me the most about Four Daughters; it was clever, sure, but not only did it know how clever it was (or was supposed to be), it felt inclined to show off how clever it was every five seconds or so, if not through the script or dialogue then through the incessant camera moves and framing setups (I assume to show off what a skilled director Curtiz is), or certain actions of the characters, which I assumed was to fill in the spaces where the film felt that another instance of clever dialogue might be a bit too much or improperly placed. There’s a very fine line between being genuinely smart, fresh, and innovative, and trying to manufacture the concept of being smart, fresh, and innovative, and Four Daughters is so far beyond that line that it has lost sight of the line entirely. It reminded me a lot of Stage Door; way too self-indulgent in the first parts, and then inserting some darker material that is very nearly undeserved given the lead-up to it, all to get the film to the climax it ultimately wanted the whole time. I don’t know if I’d give this a recommendation, even with the general consensus of this one ending up a slight bit higher than what I ended up with, but I will say at least that it’s not an entirely unworthwhile endeavor to sit through the scant hour-and-a-half of this one, mostly thanks to everyone bringing their best to a film and a story that otherwise wouldn’t have merited the effort. I don’t know if that would count as a win, but it’s certainly not a loss.

Arbitrary Rating: 6/10

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One thought on “Four Daughters

  1. I like this film but that’s thanks mostly to certain cast members, and in spite of others, but agree it’s missing a certain zing that keeps it at a pedestrian level.

    Claude Rains and May Robson are customarily enjoyable and I love Priscilla Lane but the saving grace of this is John Garfield. Until he comes along the film meanders along casually and amiably but then he shows up like a thunderbolt of electricity and shocks the movie into life. He also presents the film with a major flaw, how could Priscilla or any woman in her right mind prefer Jeffrey Lynn’s attractive but dull lump of nothing Felix to Garfield’s vivid, broodingly sexy Mickey Borden? Mickey would say it was “the fates” but I say it’s because it’s in the script!

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