Boys Town

Boys Town

There’s no such thing as a bad boy, I’m sure of that.

Director Norman Taurog seems to have an affinity for working with young casts in his films; first he wins Best Director and is up for Best Picture with Skippy, and now he’s up for both awards once again with Boys Town, a film headed by Spencer Tracy and Mickey Rooney in as best a manner as they can. Now, knowing what Taurog had to accomplish to get the performances he needed in Skippy, I hesitate to give him too much credit for what does work in Boys Town, since I’m unaware of what he had to do to make it work. Most of it, I suspect, is due to Tracy and Rooney basically being Tracy and Rooney, especially since the rest of the film seemed to be so manipulative in getting you to feel just what it wants you to feel, but, like I implied, Boys Town does ultimately work. If only just.

Spencer Tracy is Father Flanagan, who finds a new life purpose call to him after he receives a confession from an inmate on death row. Troubled by the poor state of the reformatory in town for young delinquents, he elects to start his own, founded on proper principles and the notion that no boy is a bad boy if given the chance. His idea quickly expands to become Boys Town, a small autonomous town built, run, and governed by the formerly-delinquent boys who come to live in it. Enter Whitey Marsh, who is sent to Boys Town by his convict brother Joe so Whitey will hopefully not end up like him, despite Whitey’s general purpose seeming to be exactly like his brother. Now it’s up to Father Flanagan and the boys of Boys Town to make sure Whitey ends up on the straight path, especially in the face of Joe’s escape from custody. I do kinda wish I had more to say about Boys Town other than ‘it’s fairly good, if you’re interested in seeing it’, but that pretty much sums up Boys Town. The only other comments I had towards the film were for the music, which was particularly on-the-nose 100% of the time (which grew kinda annoying as the film went on), and for Rooney, whose acting style consisted of mugging as much as possible for the other players, but it added the necessary amount of energy to the film where it otherwise would’ve stagnated, so I guess I can look past it. I’d also echo the sentiments of others in wondering exactly how Spencer Tracy ended up winning Best Actor for this, when all the role called from him was to have a warm heart, demeanor, and voice, which was something Tracy could’ve managed if he were missing all four of his limbs, but I haven’t seen all the nominees for Best Actor for 1938, so I can’t say whether or not Tracy really deserved it or if it was just a particularly weak year in the category.

Is this film really as good as to warrant five Oscar noms, of which two were wins, including Tracy, who became the first to win consecutive Best Actor Oscars? No, not really. Is it still worth a watch if you think you’d like to see it? Yeah, probably. That’s pretty much the mindset that Boys Town left me with; yeah, it’s okay, but I can’t really get myself into a twist over the film enough to really recommend it. I can’t speak for the entirety of Norman Taurog’s filmography, but that the man has no films on the 1001 list seemed to be the right call, as far as the two films of his I’ve seen have gotten me. Boys Town might be one of the good films of the 1930’s, but one of the best of the year? I’m not particularly sold on that.

Arbitrary Rating: 7/10

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