Love Affair

Love Affair

We’re heading into a rough sea, Michel.

So, after my excursion back into modern cinema for some time, I was hesitant to delve back into classic cinema, to say the least; mostly, I was afraid that I would be bored by the different sensibility and style of moviemaking once I had become accustomed to films of the modern era once more. What didn’t help was that I technically had only four films from 1939’s Best Pictures to see for the first time, and I was also nervous that they would end up being the four lesser of the flock, fit only to survive a viewing through and little more, and thus I wasn’t sure which of the four would be a good point to get back into the classical style of films at all. Pretty much at random, I ended up on Love Affair, a Leo McCarey film that would be known more for its being remade into An Affair to Remember by McCarey himself. I can’t be certain whether or not this was a good jumping-back-into point, not without having seen the other three films I still need to see from this category, but for what it’s worth, I feel pretty good about starting my Best Picture odyssey back up with how this one went down with me.

Michel Marnet is a Frenchman on a cruise liner set for America; a well-known figure, he is currently engaged to an heiress and enjoys a lot of popularity on the ship. Through happenstance, he has a number of encounters with an American woman, Terry McKay, who is also engaged and on her way to New York to meet with her husband-to-be. Despite his notoriety and both of their engagements, they find themselves drawn to one another, and when the ship finally docks in New York, they make a promise: in six months, if they both want their brief affair to continue, they will meet at the top of the Empire State building and be together forever. Naturally, the path to the top of the tower is not as simple as they both might secretly wish it was, or there wouldn’t be a film or narrative otherwise. It seems a simple concoction for a good and complex enough Hollywood film of the era, and it seems McCarey knows this, and especially how to make good of the material; the film, especially in the beginning section aboard the cruise ship, swims with emotion, so much that it almost makes it impossible for the two leads not to be drawn together. Really, there’s almost too much that’s done very well with this film; the humor, always in the right spots, is effective, as is the writing, the performances, and heck, even the few musical numbers that do appear seem just as fit for the picture as everything else.

Remakes and their earlier versions can be a tricky tightrope to cross, especially when one tries to consider the value of each film in its own right. An Affair to Remember, for instance, in addition to making the 1001 list, is regarded as one of the most romantic films ever made; this did not make the list, and indeed I had not given it much consideration aside from its being nominated for Best Picture in the greatest year of Hollywood. Well, after seeing this one now, I definitely can say that, even with its much more well-known and regarded remake, this is absolutely still worth the watch, should one be inclined to see it. There’s not all that much to the film, which is probably why it’s not getting a higher rating from me, but for what it does do, it does wonderfully, and indeed it’s rare for me to finish a film and not be able to think of much of anything that would make it better or that I would do differently. That’s not to say that this is a perfect film, but it’s absolutely a very good one, and one that’s worth the brief hour-and-a-half it takes to see it.

Arbitrary Rating: 8/10

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